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Stephen Haigh creates
these paintings, ending up with less illustration of something and more
visual representation of an experience. Or even more accurately, the works
record the aftermath of experience, like the fluid-induced wet concrete of
an interstate after a car wreck or a muddy Oklahoma State Fairgrounds
midway once the rain moves off to Arkansas. Haigh’s art arrives in an
uneasiness that never really dissipates, colorful fog over a shotgun wedding. Mixing the artists hand with the vandal’s slash, Haigh easily
shares an unfolding expansive landscape of formed color coaxed to life by
the viewer’s attention. These are not works to smile and walk by or match
to a swath of fabric; the triumphs and fears of our mysterious lives are
in there somewhere. |