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Norman J. Olson seems to have caught a flat plane by
its edge, twisted so fractures easily form and then froze the view just
long enough to capture it between his vision and what he can show with
pen, ink, paint or paper or all. Using line like a butcher and dropping
shards of form along the way, Olson allows an easy familiarity with the
physical to question the attachment we all have with ourselves. |